by Hudson Moura
In Here & There (Ici et Là-bas), director Ludovic Bernard offers a reverse reflection on exile and identity through a road movie that travels across the depths of France. The film features two characters whose cultural journeys contradict their origins. Sékou, played by Ahmed Sylla, is a Senegalese man who becomes “Cédric,” an authentic Frenchman, to work in French gastronomy and promote local culinary products. In contrast, Hakim Jemili portrays Adri as a white Frenchman who has immersed himself in Senegalese culture and longs to return to Senegal to be with his pregnant wife, fully embracing this new identity.
The film explores the clichés surrounding French identity while critiquing a society still deeply attached to its roots. Through emblematic scenes, such as when Adri confronts his father by saying, “You’re afraid of everything different, Dad,” Here & There raises the question of accepting differences and the weight of societal expectations. This road movie becomes a journey of self-discovery, where the characters try to redefine what it means to belong to a culture or nation.
The film tackles complex themes such as belonging and the search for identity: Where do we truly belong? Are we forced to root ourselves in a culture or language that doesn’t resonate with us? For Sékou and Adri, this question about their essence arises throughout their journey as they face questioning gazes and sometimes discouraging judgments.
One of the film’s strengths is its exploration of cultural differences and integration and the clichés tied to French tradition. “Deep” France is portrayed critically and humorously, where every encounter with artisans and locals offers an opportunity to reflect on identity and tolerance. “These artisans I’ve met across France taught me to be proud of who I am,” Sékou declares, emphasizing the importance of finding a balance between pride in one’s roots and openness to difference.
Despite its comedic tone and light moments, the underlying question remains: Does this comedy truly integrate these differences or offer a meaningful reflection on inclusion? While the film may not always surpass certain clichés, it does attempt to ask the right questions and open a dialogue about integration in modern society. Finally, don’t forget to stay for the end credits, as the film surprises viewers with amusing bloopers.
The film will be presented at Cinéfranco—Festival International du film francophone, from November 1 to 10, 2024, at the Carlton Cinema in Toronto.