Hudson Moura
Sean Baker’s Anora is a dynamic blend of comedy, drama, and social commentary that immerses viewers in a whirlwind journey of enchantment, chaos, and harsh reality. The film begins with the energy of an extended music video, drawing audiences into the vibrant yet fleeting highs of Ani’s life as a sex worker before unraveling into a grittier, more complex exploration of class, power, and disillusionment.
While the narrative leans on predictable tropes and lacks groundbreaking originality, Baker’s dynamic direction and Drew Daniels’ visually striking cinematography infuse the film with energy and immediacy, keeping the audience engaged. Mikey Madison delivers an audacious, career-defining performance as Ani, balancing vulnerability and fierceness to transform her character into a fully realized figure. The supporting cast, including Mark Eidelshtein and Yura Borisov, adds layers of emotional resonance and authenticity, particularly in standout moments like the tense home invasion sequence.
Unlike the romanticized Pretty Woman narrative it subverts, Anora critiques the fantasy of romantic salvation by portraying Ani’s relationship with Vanya as a transactional fling that spirals into betrayal and heartbreak. Vanya’s selfishness and immaturity expose the harsh realities of systemic inequality and the commodification of relationships, offering a bleak yet realistic take on themes of sex and survival.
The film’s portrayal of prostitution is refreshingly nuanced, avoiding simplistic morality tales by framing Ani’s profession as a pragmatic economic choice while also addressing its challenges, such as societal stigma and systemic barriers. Through character-driven moments that resonate emotionally, Baker humanizes Ani’s journey without romanticizing or villainizing her life.
While Anora may not be entirely realistic or narratively groundbreaking, its vibrant pacing and raw performances breathe life into its familiar story. Baker’s meticulous attention to detail grounds the film in everyday realities while allowing for moments of humor, tension, and banality.
Some moments of the film remind me of John Cassavetes’ indie works, such as A Woman Under the Influence, where he explores the banality of everyday life. His films capture the mundane rhythms and repetitive nature of human existence, imbuing them with emotional depth and authenticity. Cassavetes masterfully highlights the tension between the ordinary and the extraordinary, transforming seemingly dull moments into something profound and deeply revealing.
However, Anora’s screenplay remains somewhat uninspired and too long, relying on its dynamic realization and strong cast to elevate the experience. Though not my personal favorite—and perhaps overestimated—it’s easy to see why this film has garnered critical acclaim for its bold approach to storytelling. Despite its flaws, Anora captivates through its layered exploration of class and self-deception, earning a solid score of 3.8/5.